
A unique, ambitious, and witty gothic horror puzzle-box, exploring over a century of hauntings across a single house in the North of England. Perfect for fans of Andrew Michael Hurley and Catriona Ward.
Delfling Hole, a small country cottage nestled in a dark, wet corner of the Peak District. Home to many. Grave to many more. You could say that it has seen better days, but that’s not really true. Is it?
1819.
A young doctor arrives in a small village to help with a smallpox outbreak, but when his wife takes against an old friend of his who comes to stay at their house, he begins to believe she may be possessed.
1946.
A young girl takes part in a séance as her father lies dying upstairs, but as she and her siblings summon the ghosts of war, they realise they may have welcomed something terrible into their home.
1987
A tabloid newspaper, desperate to exploit a local story of a man living in a haunted house, takes things much too far, with devastating consequences.
2023.
After the death of her mother, Mal discovers that Delfing Hole has been left to her. But she doesn’t want it. Who would? Returning to the house that served up so many nightmares to her as a child, she soon discovers that she may hold the key to stopping them once and for all.
But after more than a century of horrors, is Delfing Hole ready to give up so easily?
A searing and ambitious take on the haunted house novel, this is a wildly inventive debut about one working class family, haunted across generations, marking the arrival of an extraordinary new voice in horror.
I’m a multidisciplinary writer and artist who grew up in the countryside of the Peak District and West Midlands before moving to London at the tender age of 19 to study drawing at Camberwell College of Arts, and to carve out with tooth and nail a creative career.
By tooth and nail, I mean I’ve also exchanged my labour for money in such pursuits as managing a youth centre in East London (worthwhile but radicalising!), designing toys for a mail-order educational company (bizarelly oppressive!), being described as white trash by privately educated colleagues (also radicalising!) and collecting bags of discarded hair from beauty salons for community art projects (youth work but make it art). In latter years, I have wrangled spreadsheets.
I’m grateful to have lived those lives, but I do have a nagging feeling that my brief tenure in this fleshy container would be better spent writing stories and making art. That’s why I’m writing this bio.
I love weird fiction; stories that make your skin crawl; stories that pick at the collective unconscious; stories that might be whispered to you while leaning over the wall of your back yard, slack-jawed, while your brew gets cold.
I hope you read them, and I hope you like them.
I’m represented by Charlotte Colwill of Colwill and Peddle Literary Agency.
You can find me on Instagram
and TikTok

AVON LADY AND ANGEL CHARMS (2023)
Published in Umheimlich, Soyos Books 2024
EMPTY BELLY, SNOW, AND BOILED GRISTLE (2023)
Shortlisted for Globe Soup Genre Smash Competition (Western vs Horror)
Marylin’s Dead (2022)
FIRST PLACE - NYC Midnight Flash Fiction Competition Round 2
The Bailiff (2022)
SECOND PLACE - NYC Midnight Flash Fiction Competition Round 3
The Transcendental Sessions (2022)
FINALIST - NYC Midnight Flash Fiction Competition
I’m happy to chat all things spooky, ghoulish and arcane!
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